This unit is taken from Sight-Singing Workshop, a sequential sight-singing resource in an easy-to-use interactive slide format by Andy Beck. Each of the 20 units begins with a Rhythm Drill (isolating rhythms), followed by a Pitch Pattern (practicing notes and intervals), and finishes with a Melody Maker (combining the concepts into a tuneful exercise). Embedded audio provides piano accompaniments for all 60 exercises, fillable slides invite singers to type in syllables, and answer keys immediately follow for self-evaluation. As a special bonus, the culminating exercise in every unit offers free assessment and recording powered by SmartMusic. Purchase your copy today!
Sight Singing Exercises Free Pdf
Develop your musical knowledge by moving on to singing full Major and Minor scales, understanding how they are constructed, what they look like on music and most importantly, how to sight sing them
Eyes and Ears is a book of melodies for use in practicing sight-singing. You can download it for free. It currently contains about 400 melodies, arranged systematically for education. So far, I've concentrated on assembling a body of relatively easy material that would be sufficient for the first semester or two of a college-level musicianship course. There is a small amount of didactic text, but if you're going to use the book for self-instruction, you'll need some background in basic music theory, and preferably access to someone knowledgeable to provide guidance.
Some notes: Just because a melody's original composer has been dead for hundreds of years, that doesn't meanwe can use a modern, copyrighted edition of his/her work in this kind of book. The editorial work can also becopyrighted. To be safe, make sure the sheet music you're dealing with was published before 1923. (Many editionsyou'll find in print today are actually just reproductions of 19th-century sheet music.) Good online sources forpublic-domain music include the Mutopia project andthe Choral Public Domain Library. It's very hard to find extremely easy pieces of sheet music for sight singing, e.g., pieces whose onlyleaps are between notes of the tonic triad. They're particularly valuable. With more difficult pieces, there's no shortage of material out there. Use taste and judgment. Make sureit's singable.
This choral sight-reading resource is designed to help secondary choir students improve their music literacy skills. With 180 SATB exercises divided into 2, 4, 8, 16 and 32 measure sets, even beginning groups can develop advanced skills over a relatively short period of time. The exercises are included in the book and as a free download for projecting to a screen or distributing to students via print or tablet.
Now available for SSA voices, this choral sight-reading resource is designed to help secondary choir students improve their music literacy skills. With 140 SSA exercises divided into 2, 4, 8, 16 and 32 measure sets, even beginning groups can develop advanced skills over a relatively short period of time. The exercises are included in the book and as a free download for projecting to a screen or distributing to students via print or tablet. Also includes reference audio played on a keyboard.
This choral sight reading resource is designed to help the secondary choir students improve their music literacy skills. With 170 SA exercises divided into 2, 4, 8, 16 and 32 measure sets, even beginning groups can develop advanced skills over a relatively short period of time. The exercises are also available as a download for projecting to a screen or distributing to students via print or tablet as well as reference audio played on a keyboard.
Reading one clef at a time is manageable, but how do you read TWO clefs simultaneously? Read on to find out which are the 6 skills you need to sight-read both clefs at the same time and grab the FREE handout & exercises to work on these skills.
Before you read on, we thought you might like to download our 3 Mindfulness Exercises for free. These science-based, comprehensive exercises will not only help you cultivate a sense of inner peace throughout your daily life but will also give you the tools to enhance the mindfulness of your clients, students, or employees.
The main point of the article is that it is important to warm up and do vocal exercises before singing. Things that support this theory is that warming up prepares your muscles for what they are about to do, and it helps you relax. Another thing that warming up does is that it helps you to not put strain on your voice. Warming up helps to gradually wake up your diaphragm, tounge, and muscles in your jaw and neck. This is why warming up is important.
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