C:\tmw7\dojo\aikido\Jo-Kata\31_Jo_Kata.doc 25. Februar 2005, 18:44 Seite 1 von 5 31 Jo Kata Start Position: Stand in left Kamae, holding the Jo vertically in the left hand, approximately one foot down from the top (thumb up). Take hold with the right hand at the top in a reverse hold (thumb down). The bottom end of the Jo is placed on the mat in front of the left foot. (1) Pivot the Jo about your left hand to aim a strike at the temple. (2) Slide back & to the right into an upper block. (3) Slide forward with Tsuki Chudan. (4) Slide back & to the right into an upper block. (5) Step forward with the right foot making a right Yokomen Uchi. (6) Step forward with the left foot making a left Yokomen Uchi. (7) Turn through 180 with the hips and torso (feet stay where the are) to right Kamae making a right Yokomen Uchi. (8) Step forward with the left foot making a left Yokomen Uchi. (9) Bring the Jo to the left shoulder, then tenkan 180 bringing the Jo around to the right hip to strike at the legs behind you. You should be still in left Kamae. (10) Step forward making an upper block (right foot forward). (11) Step forward with the left foot making Shomen Uchi, with left hand back and right hand forward. (12) Keeping the left foot forward, slide back, bring your right hand to the back end of the Jo, and your left hand to the center, to block and protect you shin. (13) Tsuki forward sliding the left foot forward. (14) Slide back & to the right into an upper block. (15) Turn the Jo around in your right hand, and make Shomen Uchi, stepping forward with the right foot. (16) Tsuki backward, aiming for the knee. (17) Step forward with the left foot and, using the power of the left hip, strike at the legs. (18) Turn the Jo over in the left hand and Tsuki to the knee. (19) Slide back & to the right into an upper block. (20) Turn the Jo around in your right hand, and make Shomen Uchi, stepping forward with the right foot, and going down on to the left knee (kneeling - right knee up, left knee down). (21) Tsuki back, aiming for the knee (remain kneeling). (22) Stand up and slide back & to the right into an upper block (left Kamae). (23) Holding the Jo parallel to the ground make Tsuki Jodan. (24) Tsuki to chest. (25) Tsuki to chest. (26) Tsuki backward, aiming for the knee. (27) Step back with the left foot and, using the power of the right hip, strike at the legs. (28) Slide back & to the left making an upper block (right foot forward). (29) Holding the Jo parallel to the ground make Tsuki Jodan. (30) Turn the Jo over in the right hand and Tsuki to the knee. (31) Step forward with the left foot and make Shomen Uchi, going down on to the right knee and Kiai! Throughout this transcription YOU are 'doing' the kata side, HE is 'doing' the "anti-kata". numbers 1-31 are you, numbers 1a-30a are him! 31-COUNT JO KATA 1a: starting L posture, he makes a straight thrust to your chest. 1: Starting L posture, you step off the line to your L and make a reverse thrust over his jo, to the chest. 2a: stepping back, and slightly left, he rotates his jo to cause a deflection of yours, taking your balance to your rear L, and then makes a straight thrust to your face. 2: Stepping to your R, you raise your jo to protect your face, and block upwards, cocking your wrists as you do so, to keep contact, and stop his jo flying off into space. From here rotate your jo from under his to on top, and strike it down, taking his balance to his front R, and... 3: Thust to his L floating ribs. 3a: keeping the end of his jo low, he steps back into R posture, and turns his hips towards you, blocking your strike with his jo vertical. From here he makes a spiral movement with his jo, that brings on-line with your face, and takes your jo, and your balance, to your rear L. Then he makes a straight thrust at your face.
When I did Aikido, several years ago, my teacher knew a lot of bokken and jo katas and other three or four combinations moves (small kata) for bokken and jo that I don't know how to call. The number of smaller moves katas was more than 40.
Aikido Jo 31 Kata Pdf 11
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For some years now I am searching for a book or a reference that includes all those techniques and katas but with no luck. I have found the kata 1 or 2, but nothing more, let alone a complete guide about them. There are many books about Aikido itself, but they don't talk about Jo and Bokken or have only one or two references.
I'm very pleased with Autrelle Holland's Aiki-jo manual, which contains the Suburi and Kihon (I believe those are what you refer to as "small kata". I've also been impressed with Stanford Aikido's discussion of the Jo Suburi, which contains some very precise, practical advice and a wonderful sense of humor.
Morihiro Saito's Traditional Aikido Volume One (ISBN: 0870402668) includes jo and bokken kata and suburi. It seems to be out of print, but you can find used copies for (as of June 2018) around $70.
The objective of competitive judo is to throw an opponent, immobilize them with a pin, or force an opponent to submit with a joint lock or a choke. While strikes and use of weapons are included in some pre-arranged forms (kata), they are not frequently trained and are illegal in judo competition or free practice.[4] Judo's international governing body is the International Judo Federation, and competitors compete in the international IJF professional circuit.
Early attempts to find a jujutsu teacher who was willing to take him on met with little success. Jujutsu had become unfashionable in an increasingly westernized Japan. Many of those who had once taught the art had been forced out of teaching or become so disillusioned with it that they had simply given up. Nakai Umenari, an acquaintance of Kanō's father and a former soldier, agreed to show him kata, but not to teach him. The caretaker of Jirosaku's second house, Katagiri Ryuji, also knew jujutsu, but would not teach it as he believed it was no longer of practical use. Another frequent visitor, Imai Genshiro of Kyūshin-ryū (扱心流) school of jujutsu, also refused.[13] Several years passed before he finally found a willing teacher.[13]
In competitive judo, Kansetsu-waza is currently limited to elbow joint manipulation.[41] Manipulation and locking of other joints can be found in various kata, such as Katame-no-kata and Kodokan goshin jutsu.[42]
Kata (形, kata, forms) are pre-arranged patterns of techniques and in judo, with the exception of elements of the Seiryoku-Zen'yō Kokumin-Taiiku, they are all practised with a partner. Their purposes include illustrating the basic principles of judo, demonstrating the correct execution of a technique, teaching the philosophical tenets upon which judo is based, allowing for the practice of techniques that are not allowed in randori, and to preserve ancient techniques that are historically important but are no longer used in contemporary judo.[46]
Contest (試合, shiai) is a vitally important aspect of judo. In 1899, Kano was asked to chair a committee of the Dai Nippon Butoku Kai to draw up the first formal set of contest rules for jujutsu. These rules were intended to cover contests between different various traditional schools of jujutsu as well as practitioners of Kodokan judo. Contests were 15 minutes long and were judged on the basis of nage waza and katame waza, excluding atemi waza. Wins were by two ippons, awarded in every four-main different path of winning alternatives, by "Throwing", where the opponent's back strikes flat onto the mat with sufficient force, by "Pinning" them on their back for a "sufficient" amount of time, or by "Submission", which could be achieved via Shime-waza or Kansetsu-waza, in which the opponent was forced to give himself or herself up or summon a referee's or corner-judge's stoppage. Finger, toe and ankle locks were prohibited.[64] In 1900, these rules were adopted by the Kodokan with amendments made to prohibit all joint locks for kyu grades and added wrist locks to the prohibited kansetsu-waza for dan grades. It was also stated that the ratio of tachi-waza to ne-waza should be between 70% to 80% for kyu grades and 60% to 70% for dan grades.[64]
Kano's vision for judo was one of a martial way that could be practiced realistically. Randori (free practice) was a central part of judo pedagogy and shiai (competition) a crucial test of a judoka's understanding of judo.[87] Safety necessitated some basic innovations that shaped judo's development. Atemi waza (striking techniques) were entirely limited to kata (prearranged forms) early in judo's history. Kansetsu waza (joint manipulation techniques) were limited to techniques that focused on the elbow joint. Various throwing techniques that were judged to be too dangerous to practice safely at full force, such as all joint-locking throws from Jujutsu, were also prohibited in shiai. To maximise safety in nage waza (throwing techniques), judoka trained in ukemi (break falls) and practiced on tatami (rice straw mats).[citation needed]
The handling and use of weapons - particularly the Bokken (wooden sword) and Jo (wooden staff) - forms an important adjunct and element of a student's understanding of the principles of aikido. Demonstration of the use of the bokken and jo (as used by tori) is an optional part of gradings instead of ninin-dori/futari-gaeki. The Kai Shin Kai has a number of Senseis who are able to teach (for example) : 2ff7e9595c
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